Welcome to the 3rd MILC Workshop
MILC 2020 is held in conjunction with the 25th International Conference on Intelligent User Interfaces (IUI 2020) and takes place on March 17th, 2020.
Today’s music ecosystem is permeated by digital technology — from recording to production to distribution to consumption. Intelligent technologies and interfaces play a crucial role during all these steps. On the music creation side, tools and interfaces like new sensor-based musical instruments or software like digital audio workstations (DAWs) and sound and sample browsers support creativity. Generative systems can support novice and professional musicians by automatically synthesising new sounds or even new musical material. On the music consumption side, tools and interfaces such as recommender systems, automatic radio stations, or active listening applications allow users to navigate the virtually endless spaces of music repositories.
Both ends of the music market therefore heavily rely on and benefit from intelligent approaches that enable users to access sound and music in unprecedented manners. This ongoing trend draws from manifold areas such as interactive machine learning, music information retrieval (MIR) — in particular content-based retrieval systems, recommender systems, human computer interaction, and adaptive systems, to name but a few prominent examples. Following the successful first two editions held in Tokyo 2018 and Los Angeles 2019, the 3rd Workshop on Intelligent Music Interfaces for Listening and Creation (MILC 2020) will again bring together researchers from these communities and provide a forum for the latest trends in user-centric machine learning and interfaces for music consumption and creation.
Exemplary Topics of Interest
- Music and audio search and browsing interfaces
- Searching and retrieving via voice input
- Adaptive music user interfaces
- Music learning interfaces
- Music recommender systems
- Gamification in music interfaces
- Novel visualization paradigms
- New technologies for human expression, creativity, and embodied interaction
- Machine learning for new digital musical instruments
- Gestural interfaces for music creation and listening
- Accessible music making technologies
- Intelligent systems for music composition
- User modeling for personalized music interfaces
All papers must be original and not simultaneously submitted to another journal or conference. We solicit three types of submissions:
- Full papers (up to 6 pages)
- Short papers (up to 4 pages)
- Demo papers (up to 4 pages)
Submissions must follow the standard SigCHI format, using one of the following templates: LaTeX, Microsoft Word. Note that references count towards the page limits.
Please anonymize your submission (double-blind reviewing policy) and submit your paper via EasyChair. Submissions will be reviewed by at least three members of the program committee. Authors of accepted submissions will be required to attend and give a presentation at the workshop.
Important Dates (all deadlines 23:59 Anywhere on Earth)
- Deadline for paper submission: Friday, December 20, 2019
- Acceptance notification for paper submissions: Tuesday, January 14, 2020
- Deadline for final copy of accepted papers (tentative): Tuesday, January 28, 2020
- Workshop date: March 17, 2020
- Peter Knees, TU Wien, Austria
- Markus Schedl, Johannes Kepler University Linz, Austria
- Matija Marolt, University of Ljubljana, Slovenia